Tunnelers

I took a detour from the path back in May, when I was still in the mangrove swamp. There was a gathering of alarmingly large coconut crabs on the boardwalk, and I didn't feel like trying to go through them. Several were snipping branches off of the trees with their claws and waving them over their heads like flags. I kept my distance and climbed off into the mangrove roots.

It turned out to be surprisingly easy once I got used to it. They were old mangroves, their roots firm and gnarled, with plenty of footholds. Crabs of the ordinary size scuttled away into crevices when they saw me. I tried to stay out of the water; I'm not sure where the estuary becomes fresh enough for leeches. Twilight arrived as I traveled, turning the humid air beneath the trees a dusky blue-green. In the half-dark, I smelled the smoke before I saw it; I'm not sure I would have seen it at all otherwise. This is not what one expects to smell in so humid a place, so I stopped and looked around to see where it was coming from. A thin plume of smoke was rising from the corner of one of the roots. When I bent down to look at it, I found what looked like a tiny incense burner, a smoking brazier in miniature. There were no grasshoppers nearby. The roots were untouched and free of even the oldest bite marks.

That was when someone began throwing small twigs, with perfect accuracy, at my head. I moved away immediately. This sort of greeting is often followed by showers of small but extremely sharp arrows. Once I was out of range, I looked out into the trees and saw that over half of them were inhabited, full of tiny lit windows like stationary fireflies.

They were full of Tunnelers.

The twigs stopped when I had moved a few feet away from the incense burner, which I assumed to be some sort of grasshopper repellent. The last things miniature people want are giant insects eating their houses. I looked around before moving again, making sure I wasn't about to step on anything and provoke more twig-throwing (or worse). This sort of violent reaction from Tunnelers is completely understandable, as people my size are quite capable of accidentally crushing their fields and buildings before we even notice they're there. Our attention has to be gained quickly and emphatically.

Tunnelers are, to the best of my knowledge, the smallest people that anyone my size knows about. They tunnel in things, hence the name. Many live underground in holes dug by domesticated moles. Others live in walls or the unused spaces of machinery. The Arboreal Tunnelers are one of the most widespread tribes; most of Hamjamser's forests have at least a few trees full of them. They're harder to see in the daytime unless you know to look for the tiny shutters in the bark. Arboreal Tunnelers generally confine their excavations to the dead wood of trees, taking care not to harm the living parts except to punch through a window here and there. Entirely dead trees don't make the best homes; they have a tendency to rot and fall over. Tunnelers rarely go outdoors, as nearly everything outside wants to eat them, so it was unsurprising that I couldn't see any of them. I've never seen a tunneler; I don't even know what they look like. Even the twig-throwers never showed themselves. Every so often, one of the windows would flicker as someone moved in front of it, but that was the only sign of life that I saw.

I'm sure I was making them nervous, standing there, so I left after another look at the candlelit trees. I took a different route back and found the usual latticework warning markers set up along the edges of the boardwalk. Apparently, not many travelers leave the path in that part of the Great Shwamp.

The coconut crabs were gone by then. They'd set up the branches in a cone, like the frame of a teepee, and had set a large conch shell on top. I left it alone. I don't know what it was meant for, but it certainly wasn't for me.

The End of the Boardwalk

The fog cleared today, and I decided to leave Chelissera while I could still see where I was going. The Pelirikas left the day before yesterday. I was in the middle of painting KeChorlitrix's restaurant; they came to say goodbye while I was eating lunch. Ranapleximilian and Tessemira gave me a snail shell they'd found, banana yellow with black stripes. If you look closely, you can see that the stripes are actually dense lines of small black squiggles, like microscopic hieroglyphics. I wonder if they mean anything.

I'm going to miss talking to the family (though I mostly listened, especially in the case of Mr. Pelirika). I don't think I've enjoyed traveling with anyone so much since I left the Train.

Without the Pelirikas and their wagon, there were no vehicles of any kind scheduled to leave the town for several weeks. Spiders are lurkers by nature. They don't travel much. Lacking any other options besides swimming, I returned to the boardwalk.

I'm glad I bought the bubble-wrap in Chelissera; I don't know what I would have done without it. The boardwalk - already sunken and disintegrating - vanished altogether barely a mile from the town. The last few frayed boards simply disappeared into the silt. There was no trace of them any farther on. Some well-meaning worker had put up a sign: "THIS ROUTE UNDER REPAIR." The sign was almost as rotten as the boardwalk. There was moss growing on it. Somehow, I don't think the repairs ever happened.

The bottom of the Shwamp was fairly flat, so I kept walking. The water continued to get deeper all day. By mid-afternoon, I had emptied my pockets and was walking through water up to my shoulders. It was perfectly clear; I was able to watch for sinkholes and snapping turtles and so on. When the water got deeper than my head, though, I gave up trying to wade and stopped for lunch. The trees were mostly gnorls and marsh manoglia, some of the easiest kinds to climb, so it wasn't hard to find a wide branch to sit on.* I needed a dry place to unwrap my luggage and take out food. While I was there, I checked the bubble-wrap for leaks. There were none. The inside was as dry as a biscuit - unlike me. A small flock of green butterflies flew down while I ate to drink the water from my shirt. I sat there on the branch, perched next to my suitcase, chewing and dripping and wondering if I should turn around.

It was an unusually beautiful part of the Great Shwamp. Plants covered every surface. There were bladderworts and waterlilies in the water beneath me, bryophytes wedged into the bark of the trees, and wispweeds floating through the air on their feathery leaves. The pink blossoms of splash-me-nots clustered on low branches, close enough to the water to see their reflections, but not enough to get their feet wet. The trees around me were full of beaded moss. It hung down in damp, tangled strands, like long green beards with no faces. It was full of the little beads that give it its name. They start out the size and color of peas and change color as they grow, moving through every possible shade of brown and purple. The ripe ones are magenta. If you touch them, they burst and release little clouds of pink spores, which float in every direction and stick to everything. Many of the branches were completely covered on top with pink dust. It looked like an odd cross between sunset and snow. Within a few weeks, it will be gone, turning a more businesslike green as it gets ready to become next year's moss.

I decided to keep going. The water has to get shallower sooner or later. Besides, the bubble-wrap had given me an idea. I resealed it with more air inside, found a relatively straight stick to use as a pole, and turned my luggage into a boat. It wobbles rather alarmingly, but it hasn't quite tipped over yet. I poled my way through the swamp on a suitcase gondola. I sang as I went, of course; someone has to sing on a gondola. I usually resist the urge to sing in public - not everyone likes impromptu recitals of clock songs and show tunes - but there was no one to hear me but the birds. Several of them joined in with harmonies. Sky-blue day bats flitted through the trees overhead. Swamp koi swam lazily under my suitcase, white and orange or black and gold, a few of them the size of dogs. Tree toads watched me pass with eyes that filled most of their heads. Sunlight filtered through the trees, broken into narrow slivers by leaves and hanging moss, full of dust and late-season mayflies. It was a good way to spend the afternoon.



* I sat in one of the gnorls, of course. I don't trust manoglia trees. Most of them stay rooted and mind their own business, but you can never be sure.

Woodpot

The boardwalk continues to be flooded. The water is up to my knees now; I'm starting to wonder just how deep it's going to get. As if that wasn't enough, the water got gradually more opaque all morning. By noon, I could no longer see my feet.

It seemed to be silt. The water was a thick, even brown color, occasionally turning reddish or yellowish, as if something was stirring up layer after layer of mud. I can't imagine this is pleasant for the fish. I saw silt eels break the surface several times; I've never seen so many in one day - or ones this large. They're muddy brown creatures that lurk in cloudy water, preying on befuddled fish lost in the murk. There were probably a lot of those today.

The mudbanks to either side of the boardwalk continued to grow in size as I walked. They didn't seem to be the source of the mud; they were the wrong color. It wasn't until almost sunset that I found out where it was coming from.

The trees in this part of the Great Shwamp are mostly gridwillows and gnorls. Their complex, twisted shapes are quite a contrast to the monolithic redwoods and cypresses around Meligma. They limit vision as well; I heard the diggers long before I saw them. Once I did, it was quite clear that they were the reason the water wasn't. They were in the middle of dismantling a mudbank. It looked as if it had been nearly the size of a house once. They had hollowed out the middle, leaving the sides high so that they could dig below water level. Water seeped in anyway; two of them did nothing but toss buckets of it out of the pit. The rest were busy filling more buckets with thick red clay and passing them on down the boardwalk. Those not equipped with webbed feet wore things like snowshoes to keep from sinking. They seemed to be a mix of species, like most people you meet, but it was hard to be sure. Fur looks the same as scales with enough mud on it.

They were singing one of those morbidly amusing songs that are so good for repetitive work. Miners and sailors seem especially fond of them. I didn't catch all the words of this one. It seemed to be about mud - I'm digging a hole that fills itself in, I can't remember what color my fur is, throw me in the oven and you'll have a brick wall, and so on. They seemed happy enough, in a businesslike way. Work songs just seem to turn out like that.

"Hey there!" one of them called, catching sight of me. "Welcome to Woodpot, the most beautiful village in the Shwamp!"

There was no village in sight. As far as I could see - which, admittedly, wasn't all that far - there was nothing in sight but trees, the boardwalk, and mud. I looked around, trying to think of something to say.

The digger seemed well aware of my confusion. He grinned at me, his teeth startingly white in his clay-covered face. "What, don't you see it?"

I admitted that I didn't.

"Look up."

I came out from under the gridwillow that shaded the mud pit and looked up. The trees seemed to be full of enormous striped pots. It took me a moment to realize that they were houses.

The only land near Woodpot is mud; the villagers build their houses not on it, but out of it. The buildings perch like fat clay owls at the bases of branches. Some of the larger ones have multiple stories or wrap all the way around the tree. Many are striped, like hornets' nests or sedimentary rock, each layer laid down in a slightly different color. They're more pottery than architecture; with their bulging shapes and round windows, they look as much like jugs as like houses. I almost expected to see corks sticking out of the chimneys.

Several of the diggers were quite happy to take a break from work and show me around the village, pointing out their own houses and talking about their construction. The houses are kept in repair by trained mud rats and dauber wasps. The mud rats seem to be a sort of cross between squirrel and beaver; they build their mud-and-stick lodges in trees, carrying mud up from the ground in their cheek pouches.* The dauber wasps are thin and blue-black, like the dauber wasps found near every muddy riverbank in Hamjamser. In size and intelligence, they're somewhere between the little wild ones and the civilized, dog-sized architects of the Sclesserax. The small daubers live here too, building their little clay egg cases alongside the larger ones. The rows of large and small tubes look like clay organ pipes.

No one bothers to decorate their houses much in Woodpot. There's no point. The baroque nurseries of dauber wasps end up covering every surface. If a building stands for a full year without a dauber wasp building on it, it is judged to be cursed, and the villagers tip it into the Shwamp to dissolve. Most people try to finish new construction during the egg-laying season, just in case.

The basic structure of each house is still built by the villagers. Mud-rats build everything in balls and mounds, while dauber wasps use only tubes. Humans still prefer to have things like floors and windows. Most of the actual clay, however, is laid down by rats and wasps. Each building is full of burrows, mud rat nests and chambers for the wasps' larvae. The grubs are roughly the size of my arm. They spend their entire childhoods in tubes only big enough for themselves and whatever food their parents can hunt or scavenge for them. Barring accidents, no one ever sees the grubs until they complete their metamorphoses and break through the walls as fully mature blue-black wasps. The village children play with them as if they were shiny, flying cats.

Most Woodpotters don't even try to keep their children clean. In a town where the very buildings are made of mud, there's not much point. A few parents do try to keep their children from burrowing in it with the others; they tell them to at least stay in the trees.** Children restricted this way have a remarkable tendency to accidentally fall off of low branches and land in mud pits.

The diggers eventually went back to work and left me at the inn, a collection of honeycombed chambers clustered around a particularly huge and twisted gnorl tree. The sun had set by then. Candles and marsh-lamps were burning in windows all through the village, making it look like a collection of lanterns hung in the trees. I went inside and rented a room.

The room is nearly perfectly spherical; it's tall enough, just barely, that I can stand up in the very center. Most of the walls are hidden behind heaps of old pillows and blankets. It's like being in a mouse's nest. I'm not sure I've ever been anywhere more comfortable. The room is full of the rich, dusty smell of dry clay, and the evening chorus of frogs and insects is just starting outside. I expect to sleep deeply and dream of Summer.



*For a long time, this behavior led people to believe that they ate mud, like earthworms or auger weasels.

**Most of those parents are avians. Cleaning mud out of small down feathers is not a pleasant task.

Troll Game

The boardwalk has been deteriorating the farther I go. Nearly all of my traveling today involved wading. The boards are there, under the water, but you have to tread carefully or risk putting your foot through a rotten one. Still, despite its erratic condition, the boardwalk is the only way to travel through much of the Great Shwamp without swimming. It's inevitable that such an important route would eventually attract trolls.

For the most part, I object to trolls. I wouldn't mind paying their tolls if they actually provided something in exchange. Some of them do; there are many roads in the Railway Regions that would be completely impassable by now if not for their curmudgeonly but dedicated troll keepers. Few people in the Regions are particularly interested in roads. It's easier to take the Train. Most trolls, however, do nothing but get in the way.

The troll booth was built on the only unsubmerged piece of boardwalk I'd seen all day. Someone had done some work to keep that section, if nothing else, above water. There were so many posts and tree trunks wedged under and around it that it looked like a funnel shrike's nest. Many of them were held together with string. The house itself was more or less mushroom-shaped; the bottom floor was only as wide as the boardwalk, while the second looked just wide enough to lie down in. It was quite obviously a troll house. They're built to get in the way as much as possible.

As if that wasn't enough, the troll herself was sitting outside, fishing. She was one of the Northern trolls - built like a foothill, with a nose the size of a loaf of bread. She was wearing a coat made of strips of odd, shiny leather. They were quite obviously hagfish skins. Most people at least take the heads off first.

Normally, I would simply have swam around the booth.* I have no objection to getting wet. My books and supplies are not quite so waterproof, though. The only way to get them past intact was through the troll's front door.

She stood up when she saw me, her coat creaking in protest, and leaned her fishing pole against the house. The hook was baited with a slice of cucumber. She grinned at me as if she'd just caught a particularly large fish. Her teeth were a mix of brown, gold, black, blue, and missing. One of her tusks had knot patterns carved into the tip. I could see mice climbing through her hair.

"Gots any moneys?"

"Yes," I said quickly. Trolls often see a lack of money as an excuse to take whatever they want.

"Tha'sh good." Her voice creaked more than her coat, and the tusks made her speech even harder to understand. It sounded something like a rusty doorknob being ground up in a landslide. I began digging for change in my pockets, but she held up a long-nailed hand to stop me.

"NO! Firsht we plays ze Game."

"Game?"

She grinned again, even wider, and pulled a pack of battered cards out of her coat.

"Ze Game o' Pickerel Shproot."

From her explanation, I gathered that, unlike most trolls, she preferred to gamble with her victims before taking their money. If she won, she would take twice as much as usual. (What "usual" was, I have no idea.) She didn't say what would happen if I won. It seemed overly optimistic to hope that I would get by for free; a more likely possibility was that I would be eaten in revenge. Maybe no one had ever won before. I suggested that I could just pay her right then and be on my way, but she was quite firm about that.

"No wan getz by wizhout playsh ze Game. Boring here, eh? Gotza have shomething te do."

I couldn't very well argue with that.

From somewhere in her closet-sized downstairs, she pulled a card table with three legs and set it up on the boardwalk. From her coat, she pulled an enormous porcelain pipe; she wedged a lump of coal in the bowl and lit it. The smoke was black. She breathed in deeply and sat down, dealing the cards with the machinelike speed of a professional.

"Now liszen good," she said, "'coz I'z only gonna tell ye ze roolz wance. Ye gotz ninedy-sevhen cardsh in Pickerel Shproot. Twenny iz Flatz, shirty-six iz Numverz, elevhen iz Shproots, nine is Doublez, ten is Upz, ten is Downz, an' wan iz ze Shpit. Ye gotza make pairsh and Threezies. Firsht ta get three pairsh, or two Threezies, an' ye win..."

The rules were long and complicated, and I won't go into them all. I don't even remember half of them now, though I'll probably try to write down as much as I can recall later. I want to know more about this game. Does it even exist anywhere else?

I was surprised at the cards when I finally got to pick them up. The fronts of the cards were unmistakeably the madly detailed engravings of Reddish Crill. I'd never heard of him illustrating a deck of cards, but it's not particularly surprising. He did practically everything before his dramatic high-altitude demise. In my hand, I had the Nine of Corkscrews, the Three of Speckles, the Two and a Half of Rocks, the Reverse Sponge, Toothache, and a card with nothing on it but pink flowers. I tried to keep the backs of my cards hidden as much as possible. I wouldn't have been at all surprised if the troll was able to identify them by the coal stains.

Amazingly, I won the first game, more by beginner's luck than anything else. It's lucky that I pick up game rules fairly quickly; these ones were more confusing than most. The troll was not happy. The coal in her pipe glowed brighter, and smoke started coming out of her nose. She didn't say a word; she just shuffled the cards and laid them out again. I had won, so I got up to go.

"Besht two outta shree," she growled.

It didn't seem wise to argue.

She won the second game, after which she started to look happier. I had enough of a grasp of the rules to play the game, but not enough to be good at it.**

In the third game, I did my best to play badly, preferring to pay twice whatever the usual fee was rather than find out how gracious the troll was about losing. It didn't seem to matter. She was clearly not pleased with her cards. The coal in her pipe glowed hotter and hotter as the game went on, cards clenched in her rootlike fists. It only took a few rounds before it started shooting sparks; after that, it was only seconds before one of the sparks landed on her house. It started smoking immediately.

"FIRE!" roared the troll, erupting to her feet, upsetting the card table, and dropping her pipe in the Shwamp.*** She tore off her coat and began beating the flames with it.

Unfortunately, this was too much for the structure. Many of the strings had already been weakened by fire. At this new assault, they snapped. Knots broke, boards sagged, and as we watched, the entire house slowly tipped over into the Shwamp.

That put out the fire, at least.

Roaring with rage, the troll leapt into the water and sloshed over to her house. It was already starting to sink. It stopped when she dug her hands under it and heaved, lifting the entire structure several inches. I could hear dishes breaking inside.

I decided that that was a good time to leave. She seemed to have the situation in hand. As quietly as I could, I gathered up my luggage and crept over what was left of the boardwalk. I could hear her shouting unintelligible curses at her house long after I was out of sight.

I still wonder who would have won that last game.



*After checking for chekaraul and alligators, of course.

**Besides, the rules of drama require that every contest be decided only in the last round.

***It had obviously spent time in the Shwamp before. There were barnacles on it. From the look of them, some of the cards had been there as well.